Kosovo's football pitches sit close enough to old minefields that both are marked on the same maps, a legacy of NATO's bombing campaign and the ethnic violence that followed it. Coach Scotty Lee arrives in this landscape trying to build something out of the game, working with kids from communities still divided along ethnic lines. Director Doug Aubrey follows him through towns where the war's damage is still visible in the buildings and in how people talk about their neighbors, filming practices and matches alongside the daily friction of a country trying to function after occupation and conflict. The film stays close to Lee's actual work rather than narrating from a distance, watching what happens when Serb and Albanian kids share a field under his coaching. It does not resolve Kosovo's politics, and it does not pretend football does either, but it tracks the specific, small changes visible in one team over one season, which is as much evidence of anything mending as the film offers.