The Free Theatre of Belarus stages its productions in apartments, basements, and other spaces it will not name publicly, because performing openly can mean arrest. This Al Jazeera film follows the company through interviews with its actors and directors and footage of rehearsals and performances, tracing how a group shut out of state-run venues built its own underground circuit instead. Belarus keeps tight control over public expression, and the theatre's work doubles as commentary on that control, staging scenes about censorship and repression for audiences who often find out the location only hours before curtain. The film also shows the network of supporters who pass along venue details and shelter the company from detection, the infrastructure that keeps illegal theatre running season after season. Rather than treating the artists as symbols, it stays with the practical mechanics of making work in secret: who spreads the word, where the risk actually falls, and why the actors keep doing it anyway.