A Marxist splinter group called the Frankfurt School gets the blame in this film for what director James Jaeger frames as a decades-long campaign against American traditionalism. The argument centers on Antonio Gramsci's theory that de-Christianizing the West required patient infiltration of its institutions rather than open revolution, and the film traces that infiltration through the collapse of the family unit, the marginalization of religion, and the sexual revolution of the 1960s, which it treats as the moment the culture turned against prior generations. Interview subjects include former presidential candidates Ron Paul and Pat Buchanan, along with author G. Edward Griffin, constitutional attorney Edwin Vieira, and Ted Baehr of the Christian Film and Television Commission, each connecting the same thread of ideological drift to threats against gun rights, banking, military strength, and the Constitution. The film presents political correctness as the modern name for cultural Marxism and lays out its case through talking-head interviews rather than archival footage or field reporting, building toward a warning about where the trend leads next.