An unnamed narrator spends the film's runtime describing his own loss of Christian faith, using watercolor illustrations and background art rather than interviews or archival footage to carry the story. He explains that it took him five years to tell his best friend about the change in his beliefs, and frames the whole experience as a kind of tragic love story: the slow, private work of admitting to himself, then to the people closest to him, that he no longer believes what he once did. The film stays close to first-person narration, walking through the cognitive dissonance of holding two incompatible truths at once and the toll that silence takes on friendships and family relationships built on shared faith. Music by the same artist who painted the watercolors, Prplfox, underscores the narration throughout. There is no debate about doctrine here and no outside voices weighing in; the film's only argument is that leaving a religion quietly can be as isolating as leaving one loudly, and that it is possible to survive it.