A mountain of garbage on the edge of Delhi becomes the workplace for three men the film follows over its course: a rag-picker who sorts through trash for anything sellable, a coin-diver who wades into a fetid pond hoping to find money and jewelry lost or dumped in it, and an industrial worker who handles hazardous waste with little protection. The camera stays close to their routines rather than narrating over them, watching the physical work of sifting, diving, and hauling that keeps the city's discarded material in circulation. Delhi's boom is visible only at the edges, in what the city has decided to throw away and where it lands. The film treats the dump as the underside of urban growth, a place where poverty and pollution meet daily, and lets the three men's labor stand as the argument rather than making one directly.