An undertaker in London runs a funeral service built around one rule: under Islamic teaching, a body should be in the ground within 24 hours of death. The film follows him through that compressed timeline, from the phone call announcing a death to the graveside, showing the ghusl washing and the shrouding in white cloth that come before burial rather than a viewing or an embalming. Because so little time separates death from burial, the practical work of moving a body across a city, coordinating with mosques, and getting a grave dug becomes as much a subject here as the religious meaning behind it. The camera stays close to the undertaker's routine rather than to theology lectures, watching him talk families through decisions and handle the paperwork and logistics that most funeral documentaries skip. It is a small, procedural film about a job most people never see done, built around the specific pressure of a deadline measured in hours rather than days.