Barbara Brodsky describes herself as a channel, someone whose body and voice become the entry point for Aaron, a being she identifies as pure spiritual energy without physical form. The film follows sessions in which Aaron speaks through her, interspersed with interviews from people who describe their own mystical or transcendent experiences and with academics who weigh in on channeling as a phenomenon. Rather than treating the claim skeptically or credulously, the film lets Brodsky and Aaron make their case directly to the camera, presenting the relationship between the two as a dissolving of boundaries between human and spirit. The academic voices provide some outside framing, but the bulk of the runtime stays with Brodsky's own account of what happens when Aaron enters. It is a portrait built almost entirely from testimony, asking viewers to sit with a claim about the nature of consciousness rather than a case argued through evidence.