Michel Gondry, the director of Eternal Sunshine of the Spotless Mind, sits down with linguist Noam Chomsky and records their conversation, then draws over it. The film is built from that interview footage, but almost everything on screen is Gondry's own hand-drawn animation: loose, wobbling line drawings that illustrate Chomsky's train of thought as he talks, sometimes literally, sometimes as visual tangents of Gondry's own. Chomsky works through his ideas on language acquisition and how a child's mind assembles grammar without being taught rules, drifting into memory, his late wife, and his decades of political activism. Gondry does not stay invisible; his own voice, his confusion, and his attempts to keep pace with Chomsky's reasoning become part of the film, so the animation reads as one man's attempt to sketch another man's mind in real time. There is no narrator smoothing the transitions and no reenactment, just talk and drawing. The result plays like a conversation you can watch someone actively try to understand as it happens.