Five men from Tanna, a remote island in the South Pacific archipelago of Vanuatu, travel to Montana to live among American cowboys and study them the way anthropologists once studied places like Tanna. They join cattle roundups, get caught in a snowball fight, and watch a technician perform artificial insemination on livestock, reacting to each scene through the lens of their own village customs. Conversations turn to homelessness, which some of the men initially assume must be a choice, and to the rigid division of labor between men and women on American ranches, which they compare frankly to their own. The film's structure inverts the usual ethnographic gaze: instead of Westerners narrating exotic customs abroad, the Tannese men narrate the customs of Montana, arriving at the conclusion that farming here runs on money rather than subsistence or obligation, a distinction that genuinely puzzles them. Footage stays close to the men's daily encounters and unscripted reactions rather than expert commentary, letting their outsider logic do the analytical work.