Ancient rock art across five continents shows the same strange shapes: zigzag bolts, spirals, and rayed disks that turn up in cultures with no contact with each other. This film builds the case, through interviews with David Talbott, Wallace Thornhill, and other researchers behind the Electric Universe and Thunderbolts theory, that these are not abstract symbols but eyewitness records of enormous electrical discharges in the ancient sky, plasma events they argue dwarf anything seen in recorded history. Talbott walks through petroglyphs and myths from Egypt, the Americas, and the Near East, matching recurring motifs against laboratory plasma discharge patterns photographed by physicist Anthony Peratt. Thornhill lays out the broader claim that electromagnetic forces, not gravity alone, shape comets, planetary surfaces, and stellar behavior, challenging mainstream astrophysics on the size of the discharge required to carve features like Mars's Valles Marineris. The film moves between ancient art, physics lab footage, and talking-head interviews to build its argument, presenting a fringe cosmology as a serious alternative rather than a settled fact.