Uroko takes its title from the Japanese phrase for scales falling from the eyes, and it spends eleven parts tracing what its makers present as the hidden architecture of modern power, starting with the Federal Reserve. The film opens with the American Revolution and the War of 1812 before following the Rothschild banking dynasty through the Second Bank of the United States, Andrew Jackson's veto fight, and the 1907 panic that led bankers to meet privately at Jekyll Island and draft the Federal Reserve Act of 1913. G. Edward Griffin's interview with Norman Dodd appears at length, with Dodd describing tax-exempt foundations as tools of policy control. Later sections connect the Council on Foreign Relations to the CIA's founding, the money trust to the Bolshevik Revolution, and the Knights Templar to Freemasonry, the Bush-Harriman-Rockefeller network, and Yale's Skull and Bones society. The film presents these links as established fact rather than open questions, building one continuous lineage from medieval banking to Cold War intelligence.