Mexico's drug war has turned crime reporting into one of the most dangerous jobs in the country, and this film follows two newsrooms living that risk day to day. Photojournalist Ernesto Martinez works the crime beat in a border city, photographing bodies and crime scenes while reflecting on what the job has cost his family and his own nerves. Across town, reporters at Riodoce, a weekly paper known for tracking cartel money and political collusion, chase stories that name officials and traffickers by association rather than direct accusation, aware that either could get them killed. The film stays close to the mechanics of the work: which calls get answered, which scenes get photographed, which details make it into print and which get left out for safety. Colleagues have already been killed for stories like these, and that history sits under every decision shown on screen. Shot over two working days with both papers, the film treats journalism itself as the story, and the ordinary caution of these newsrooms as evidence of how dangerous the beat really is.