A minicab driver spends shifts alternating between empty stretches at the office waiting for the phone to ring and short, unpredictable bursts of work once a fare gets in the back seat. The film follows the rhythm of the job across day and night shifts: businessmen heading to meetings, couples off to a night out, and the ordinary silence in between. Night driving brings its own hazards, with reduced visibility and heavier late-hour traffic, and the driver deals with the occasional difficult or unpredictable passenger alongside the routine ones. What holds the film together is the vantage point itself, a stranger's front seat view into other people's brief, unguarded moments before they get out and disappear into their own lives. There is no case being built and no argument to follow, just a shift-length record of a job defined by waiting punctuated by other people's stories.