Three cities, one tactic: ordinary people with cameras following police to record what happens. Filmmaker Jacob Crawford tracks cop watch groups in Denver, Cincinnati, and Berkeley as they film patrol stops, explain to bystanders what their rights are during an encounter, and build case files out of footage that might otherwise never surface. The film is organized like a toolkit rather than a narrative: sections cover the legal basics of interacting with police, techniques for documenting an incident without escalating it, and steps for turning individual recordings into organized pressure on a department. Real encounters appear throughout, some showing routine policing and others showing the kind of conduct that prompted someone to start recording in the first place. The throughline connecting the three cities is the belief that a camera in a bystander's hand changes what happens on the street, and the film treats that claim as something to demonstrate rather than argue.