Agustin has spent fifty years building a helicopter from scratch, working from a wheelchair after polio took the use of his legs as a child. Filmmaker Tyler Bastian follows him through his workshop, where scavenged parts and hand-built components have slowly become an aircraft, and lets Agustin explain in his own words why he keeps going despite decades without a finished machine. The film stays close to the physical work: welding, fitting, testing, the small failures and small victories of a project most people would have abandoned. There is no narrator standing outside the story to frame it as inspirational; the footage and Agustin's own account carry the film. What comes through is stubbornness treated as a kind of faith, a man measuring his life by an unfinished engine rather than by what his body can no longer do. It is a short, plainly shot portrait, more interested in watching someone work than in explaining him.