Filmmaker Darren Wilson sets out with a camera crew to test claims of modern-day miracles inside the global charismatic Christian movement, and comes back with testimony he cannot easily explain away. The film travels from Mozambique to Toronto to the Pentagon, collecting accounts of people raised from apparent death, gemstones and gold dust reportedly appearing during worship services, and teenagers praying for strangers on the street who then describe pain vanishing on the spot. Wilson interviews pastors, missionaries, and ordinary believers who describe what they witnessed, letting the camera linger on their reactions rather than pushing a scripted argument. The film does not pretend to be neutral: it is built by a believer looking for evidence, and it treats the stranger claims, manna appearing in a government building, as seriously as the more familiar healing stories. What holds it together is the accumulation of first-person accounts rather than any single dramatic scene, daring the viewer to explain the pattern away.