Stop-motion animation has been around for more than a hundred years, built frame by painstaking frame from puppets, clay figures, and miniature sets that animators nudge a fraction of an inch at a time between shots. The film traces that history and sits down with the people still practicing the craft, asking what happens to a hands-on art form once computer-generated imagery can produce a talking animal or a walking skeleton without anyone touching a physical model. Interviews and behind-the-scenes footage show the labor involved: rigs, lighting setups, and the sheer patience required to get a few seconds of usable motion. Rather than treating CGI as the villain, the film uses the comparison to ask why audiences and filmmakers keep returning to stop motion anyway, tactile imperfections and all. It works as a plain-spoken case for a technique many assumed was already obsolete, told through the craftspeople keeping it alive.