Jean Giraud, the French artist known to comics readers as Mœbius, gets a BBC Four profile that traces how a small-town kid ended up redrawing the visual language of science fiction. Interviews and archival material follow his path from the western comic Blueberry, drawn under his own name, to the wordless, dreamlike strips he signed Mœbius, starting with Arzach and running through the pages of Métal Hurlant and its American edition, Heavy Metal. The film lays out his fingerprints on Hollywood, from concept work on Alien and Tron to costume and set ideas that turn up in Blade Runner and The Fifth Element, and it lets colleagues explain why his line work, clean, precise, and utterly alien in its logic, became a reference point for artists who never touched a comic book. Giraud's own reflections on drawing as a kind of trance sit alongside the pages themselves, given time on screen to be looked at rather than just described. It is a compact introduction rather than a full biography, built for viewers who know the influence before they know the name.