New Malden, a suburb of London, holds the largest concentration of North Koreans outside Korea itself, roughly 600 men, women, and children who have settled among the area's earlier Korean immigrants. The film follows residents of this community as they navigate life far from the state they fled, balancing memories of home with the practicalities of British schools, jobs, and neighborhoods. Interviews with defectors touch on why they left, what they left behind, and how it feels to build a new identity in a place nicknamed, half-jokingly, Little Pyongyang. The camera moves through local shops, churches, and community gatherings that have grown up around this population, showing how a displaced community recreates familiar routines in unfamiliar surroundings. Rather than treating its subjects as symbols of a closed regime, the film stays close to individual lives, the small adjustments and lingering attachments that come with resettlement. It offers a rare look at how North Korean identity persists, and changes, once it leaves North Korea.