Margaret Sanger founded the American Birth Control League on the slogan "more from the fit, less from the unfit," and this film traces a direct line from her work to abortion rates among Black Americans today. It opens with 19th-century eugenics in imperial Europe and the postbellum American elite, follows the movement's funding by Wall Street bankers and foundation executives, and shows its admiration for Nazi Germany's racial policies before the Holocaust made the word "eugenics" toxic. The film's central claim is that the movement did not die at Auschwitz but rebranded, trading talk of racial hygiene for the language of population control, sustainability, and Agenda 21. Planned Parenthood, Sanger's postwar creation, becomes the film's main target, with the International Planned Parenthood Federation cast as a global successor to Nazi resettlement policy. Archival photographs, historical documents, and interview footage build the case chronologically from Sanger's early pamphlets to present-day abortion statistics. It is an argument film, built to persuade rather than to weigh competing evidence.