Marilyn Monroe spends her last months in 1962 unraveling in public: fired mid-shoot from 20th Century Fox's "Something's Got To Give," cycling through affairs, and battling dependency on drugs and alcohol alongside deepening depression. This film pieces together that period through interviews, behind-the-scenes footage, and production stills, including assembled scenes from the unfinished film with co-stars Dean Martin and Cyd Charisse. Rather than replaying the myth of the platinum-blonde icon, it stays close to the practical unraveling: a studio losing patience with a star who cannot make her call times, a set that shuts down around her, and a private life crowded with men who could not steady her. The interviews here are billed as first-time accounts, offering testimony from people close to the production rather than secondhand studio history. What emerges is less a tragedy told in retrospect than a slow-motion account of a working actress falling apart on the job, weeks before her death, with the cameras still rolling on the film she never finished.