In Lima's Polvos Azules market, rows of stalls sell pirated DVDs to a public that still relies on bootlegs for most of its movie access. The film follows the vendors who run this trade, including sellers who have built reputations not for speed or price but for taste, stocking Cannes winners and obscure arthouse titles alongside the usual blockbusters. Interviews with the bootleggers, their customers, and people who track Peru's film distribution business lay out how the pirate market actually shapes what Peruvians get to see, since legitimate theatrical and DVD release schedules rarely serve smaller cities or specialized cinema. Footage inside the stalls shows hand-labeled cases and burned discs organized by director and genre rather than just by title. The documentary treats piracy less as a crime story than as an economic workaround, asking what happens to film culture in a country where the black market functions as the de facto distributor and, in some cases, the more discerning one.