Rastafarianism gets a ground-level look from director Tahric Finn, who sits down with practitioners across Jamaica and the wider Rasta diaspora to ask what the faith actually means to the people living it. The film moves past the usual shorthand of dreadlocks and reggae, tracing the movement's roots through Marcus Garvey's back-to-Africa politics and the coronation of Emperor Haile Selassie, whom Rastafarians hold as a divine figure. Bob Marley's name comes up, since it has to, but Finn keeps the camera on lesser-known voices instead: elders, younger converts, and community figures who talk about how the belief system shapes their diet, their politics, and their sense of identity. Interviews cover spirituality alongside social activism, showing Rastafari as a lived framework for resisting colonial history rather than just an aesthetic. The film stays close to its subjects' own words throughout, letting personal testimony carry the explanation of doctrine and history rather than a narrator's summary.