Filmed in 1966, this short brings cameras into the studios of Roy Lichtenstein and Andy Warhol at the height of Pop Art's rise, letting both artists explain the mechanics behind work that looked deceptively simple to the public. Lichtenstein walks through his process of blowing up comic-strip panels into Ben-Day dots and hard outlines, treating mass reproduction as raw material rather than parody. Warhol, characteristically flat and evasive in interview, talks around his silkscreen method and factory-style output while the camera lingers on canvases in progress. The film's value is in the period footage itself: two artists who would become the public face of a movement, caught on camera before the mythology hardened, speaking plainly about repetition, commercial imagery, and what counts as originality. It is a brief, direct record rather than a critical essay, letting the artists' own words and working methods make the case for how deliberate their apparent simplicity actually was.