Reggie Yates spends a week living inside Coronation Park, a squatter camp outside Johannesburg that has become South Africa's largest settlement of white residents living below the poverty line. He shares cramped shacks and communal facilities with families who once benefited from apartheid-era privilege and now survive on charity handouts, moving between interviews with camp residents, white welfare organizations, and black South Africans who question the residents' claims of victimhood. Yates presses white charity workers on disputed poverty statistics, ranging as high as 400,000 people, and sits with young camp residents who have grown up with no memory of apartheid but plenty of resentment toward affirmative action policies they blame for their situation. The film does not resolve the argument so much as stage it, letting residents, activists, and critics talk past each other about whether present-day South Africa has created a new underclass or whether this is a small, statistically marginal group amplified by anxious rhetoric. Yates ends the week without a tidy verdict, only sharper questions about who counts as disadvantaged now.