Animation's hundred-year history gets a survey here, tracing the medium from hand-drawn cel work and stop-motion puppetry through to modern motion graphics and CGI. The film treats each technique as a distinct craft with its own visual language, showing how frame-by-frame drawing, physical model animation, and computer-generated imagery each produce effects live-action cameras cannot capture. Rather than ranking old methods against new ones, it frames animation as a continuous tradition, one where digital tools extend rather than replace the poetry earlier animators built by hand. Expect footage and clips illustrating these different approaches side by side, with the throughline being animation's capacity for stylization: the way a puppet's stutter-step or a hand-inked line can carry an emotional charge that photography struggles to match. It is a compact overview aimed at viewers curious about how the craft evolved rather than a deep technical tutorial, useful as an introduction to why animators keep choosing older techniques even in a CGI-saturated industry.