Billy Meier claims that since the 1940s he has been in contact with extraterrestrials called the Plejaren, and that they gave him information decades before events like the Iraq Wars, the AIDS epidemic, and global warming became public concerns. The film lays out his case: photographs of supposed beamships, transcripts of his conversations with an entity named Semjase, and the network of believers who have spent years trying to verify his claims. Investigators and skeptics appear alongside supporters, picking apart the physical evidence, the timeline of his predictions, and the accusations of fabrication that have followed Meier since his story became public in Switzerland. The film does not shy from the controversy, showing both the analysts who argue the photographs are impossible to fake with 1970s technology and the critics who call the whole affair an elaborate hoax. What emerges is less a verdict than a portrait of a decades-long argument, built from interviews, archival photographs, and Meier's own account of a farmhouse in Hinterschmidrüti that became the center of one of ufology's longest-running cases.