Brian Flemming, who wrote and directed this film, sets out to test a specific claim: that Jesus of Nazareth never existed as a historical figure. The film lays out the Christ myth theory alongside the conventional account, weighing parallels between the Jesus story and older pagan myths of dying and rising gods against the sparse contemporary evidence for a historical Jesus. Flemming does not stop at the existence question. He turns the camera on Christianity itself, examining biblical inconsistencies, the process by which the canon was assembled centuries after the events it describes, and the harder edges of evangelical belief, including hell and damnation as taught to children. The tone throughout is argumentative rather than neutral; Flemming is building a case, not surveying a debate. It plays as a provocation aimed squarely at believers, asking them to defend claims most were never pushed to examine.