Lee Harvey Oswald's own paper trail does not add up, according to the researchers this film assembles: photographs that show him in two places at once, government records with contradictory heights and identifying marks, and a Marine Corps history that some claim was quietly rewritten. Author Jim Marrs and photo analyst Jack White walk through the images frame by frame, pointing out details they say prove impersonation rather than mere clerical error, while former FBI agent Zack Shelton argues that tracing who built the Oswald on paper could point toward who orchestrated the Kennedy assassination itself. Dramatic reenactments fill in scenes the archival record only gestures at, staged alongside period documents and news photographs from Dallas in 1963. The film keeps returning to the same unresolved figure, the man Jack Ruby shot two days after the assassination, and asks whether the country buried the right person under that name. It offers no verdict, only the accumulated inconsistencies its analysts have flagged over years of examining the same files.