Philosopher Anders Sandberg does not treat death as a fixed biological fact. He argues that within this century it will be possible to upload a human mind into a computer, and he says so on camera alongside fellow transhumanists Nick Bostrom, Natasha Vita-More, and Arjen Kamphuis, each explaining why they expect technology to end the body's monopoly on the self. Director Titus Nachbauer builds the film as a short, visually dense argument rather than a survey, cutting between interviews, archival material, and imagery like NASA's Hubble Deep Field and a 1940s film on reviving dead organisms to place the transhumanist claim against a longer history of trying to cheat mortality. The conversation stays concrete: what mind uploading would actually require, what counts as continuity of identity if it works, and why a small, largely unknown group of researchers believes this is closer than most people assume. Weber's Der Freischütz overture, performed by the Staatskapelle Dresden, scores the film's turn from clinical explanation toward something closer to unease about what immortality would cost.