Northern Ireland's Troubles officially ended with the 1998 Good Friday Agreement, but the film argues the violence never really stopped mattering to the people who lived through it. It follows individuals still carrying the weight of the conflict: some who lost family members to bombings and shootings, others who took part in the violence themselves, and a younger generation raised in its shadow rather than its middle. Interviews move between Belfast streets still marked by murals and peace walls and quieter domestic settings where the toll shows up as trauma, addiction, or silence passed between generations. The film treats reconciliation as an unfinished, uneven process rather than a completed chapter, showing how sectarian lines persist in daily life even as headline violence has receded. It does not resolve the tension between moving on and remembering, letting its subjects hold both at once. The result is a portrait of a peace agreement that ended a war on paper while leaving its human cost to be worked out one family at a time.